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"Epistemic Radicals and the Vice of Arrogance as a Counterfeit to the Virtue of Assured Epistemic Ambition"
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in S. French and M. Ivanova (eds.), The Aesthetics of Science: Beauty, Imagination, and Understanding (Abingdon: Routledge, 2020).
"Creativity, Vanity, and Narcissism"
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in B. Gaut and M. Kieran (eds.), Creativity and Philosophy (Abingdon: Routledge, 2018), pp. 74-92.
"Philosophising about Creativity" (co-authored with Berys Gaut)
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in B. Gaut and M. Kieran (eds.), Creativity and Philosophy (Abingdon: Routledge, 2018), pp. 1-22.
"Creativity as an Epistemic Virtue"
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in H. Battaly (ed.), Routledge Handbook of Virtue Epistemology (New York: Routledge, 2018), pp. 167-177.
"Sentiment and Sentimentality: Affective Attachment in Life and Art"
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in J. Dodd(ed.), Art, Mind and Narrative (Oxford: Oxford University Press, 2016), pp. 154–176.
in N. Carroll and J. Gibson (eds.), Routledge Companion to the Philosophy of Literature (New York: Routledge).
"Creativity, Virtue, and the Challenges from Natural Talent, Ill-Being, and Immorality"
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in Philosophical Aesthetics and the Sciences of Art, Royal Institute of Philosophy Supplement, vol. 75, Cambridge University Press, 2014, pp. 203-230.
"Creativity as a Virtue of Character"
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Click here for a pdf version of the French translation "La Créativité Comme Vertu" trs. Genevieve Chevallier.
in Scott Barry Kaufman and Elliot Samuel Paul (eds.), The Philosophy of Creativity (New York: Oxford University Press, 2014), pp. 125-144.
“Tragedy versus Comedy: On Why Comedy is the Equal of Tragedy”
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Ethical Perspectives, 20(3), 2013, pp. 427-450.
"Mere Exposure to Bad Art" (co-authored with Aaron Meskin, Margaret Moore, and Mark Phelan)
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British Journal of Aesthetics, 75 (2), 2013, pp. 139-164.
“For the Love of Art: Artistic Values and Appreciative Virtue”
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in Philosophy of Art, Royal Institute of Philosophy Supplement, vol. 71, Cambridge University Press, 2012, pp. 13–31.
"The Fragility of Aesthetic Knowledge: Aesthetic Psychology and Aesthetic Virtues"
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in Peter Goldie and Elisabeth Schellekens (eds.), The Aesthetic Mind: Philosophy and Psychology (Oxford: Oxford University Press, 2011).
"The Vice of Snobbery: Aesthetics Knowledge, Justification, and Virtue in Art Appreciation"
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Philosophical Quarterly, 60 (239), 2010, pp. 243-63.
“Emotions, Art and Immorality”
in P. Goldie (ed.), The Oxford Handbook of Philosophy of Emotion (Oxford: Oxford University Press, 2010) pp. 681-704.
in S. Bernecker and D. Pritchard (eds.), The Routledge Companion to Epistemology (London: Taylor and Francis), Chapter 34, pp. 369-79.
"Why Ideal Critics are not Ideal: Aesthetic Character, Motivation and Value"
British Journal of Aesthetics, 48 (3), 2008, pp. 278-94.
“Artistic Character, Creativity and the Appraisal of Conceptual Art”
in P. Goldie and E. Schellekens (eds.), Philosophy and Conceptual Art (Oxford: Clarendon Press, 2007), pp. 197-215.
Philosophy Compass , 1 (2) 2006, pp. 129–43
(see also the Teaching and Learning Guide on these issues in Philosophy Compass 5 (5) 2010, pp. 426-31).
"In Search of A Narrative: Narrative Understanding, Imagination, Sympathy and Empathy"
in M. Kieran and D. Lopes (eds.), Imagination, Philosophy and the Arts (London: Routledge, 2003), pp. 70-88.
in J. Levinson (ed.), The Oxford Handbook of Aesthetics (Oxford: Oxford University Press, 2003), pp. 451-70.
"On Obscenity: The Thrill and Repulsion of the Morally Prohibited"
Philosophy and Phenomenological Research, LXIV (1), 2002, pp. 31-56.
“Forbidden Knowledge: The Challenge of Cognitive Immoralism”
in S. Gardner and J. Bermudez (eds.), Art and Morality (London: Routledge, 2002), pp. 56–73.
Philosophy and Literature, 25 (1), 2001, pp. 31-45.
"In Defence of the Ethical Evaluation of Narrative Art"
British Journal of Aesthetics, 41 (1), 2001, pp. 26-38.
"Art, Imagination and the Cultivation of Morals"
Journal of Aesthetics and Art Criticism, 54 (4), 1996, pp. 239-51.
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